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Dress style 50s 50 years. New look in modern fashion

The distinctive retro style of the most feminine and elegant decade is reproduced every season on the catwalks, on television and in photo shoots. fashion time talks about the people who are responsible for creating the style of the 1950s, and about its main features.

new look

Strictly speaking, the fashion of the 50s was designated two years earlier. Even the exact date is known - February 12, 1947. It is on this day Christian Dior presented his first collection. Editor in Chief Harper's Bazaar Carmel Snow (Carmel Snow) called it "new look" (English new look - "new look", "new direction"). The collection became a worldwide sensation.

The secret of success lay in a new image of a woman, radically different from the fashion of the 40s. After the Second World War, women wanted to become graceful again, that “weaker sex” who needed help getting into a taxi and putting on a coat. Dior said: “We have left behind us the era of war, uniforms, labor service for women with the broad shoulders of a boxer. I painted women resembling flowers: sloping shoulders, a rounded chest line, wasp waists and wide, diverging downwards, like cups of a flower, skirts.

Pads for the hips and breasts returned to fashion, a bustier and a new type of elastic corset appeared, which tightened the waist up to 50 cm. Dior took up to 40 m of fabric to sew one skirt. The design of the new silhouette, which maintains a rigid form, is still a mystery.

Wearing his clothes was not easy. An ordinary dress, together with petticoats, weighed about 4 kg, and an evening dress - all 30. They were put on only with outside help. You couldn't dance in them. Despite all the inconveniences, millions of women around the world worshiped the new style. The demand for Dior's models was such that the boutique was open until midnight. And Paris once again became the capital of fashion.

Almost everyone criticized the new look for its extravagance and inconvenience: from housewives to Dior's colleagues. Cristobal Balenciaga considered Dior's work with fabrics "terrible". Coco Chanel commented on it like this: “Dior? He doesn't dress women, he stuffs them." Therefore, in 1954, at the age of 71, Mademoiselle had to interrupt her 17-year vacation. “I could no longer see what Dior or Balmain had done to the Parisian couture,” she told the press.

The first collection of Chanel was received with hostility, but three years later Coco was wearing Elizabeth Taylor (Elizabeth Taylor),Audrey Hepburn,Jacqueline Kennedy. In defiance of Dior, she presented a suit "in which you can easily and gracefully get into a car without assistance." The two-piece suit has become a classic and the basis of office style. Its distinguishing features are a narrow skirt and a semi-fitted jacket without lapels, but with patch pockets, braid trim and gold buttons. Such a cut did not require a corset, but gave harmony to any figure. He relied on two-color pumps, visually narrowing the foot. In addition, Chanel freed the women's hands by handing them a bag on a chain.

The style that the American suggested Claire McCardellClaire McCardell married French elegance with American practicality. She set the tone for US fashion in the 40s and 50s, when most designers limited themselves to simply copying Parisian looks. McCardell understood that the modern woman needed comfortable clothes, discreet, flat silhouette, without frills and puffs, fashionable in the 40s. Watching ladies struggle with long evening gown hemlines, Claire created a new silhouette by pinning the back of her skirt with a safety pin. She also began to use denim and cotton fabrics for weekend toilets. By the mid-1950s, McCardell had become a trendsetter in the American look style, which freed New World women from imitating European fashionistas.

Thus, two silhouettes were in fashion at the same time. For special occasions, an X-shaped silhouette with a fitted bodice and a fluffy skirt was ideal. The main thing was to change the style of the flared sun to a balloon or a pencil in time. In order not to get confused, tables of seasonal changes in silhouette and length were regularly published in fashion magazines. Women went to work in Y-line suits: a jacket with shoulder pads and a narrow mid-calf-length skirt. Invariable elements were cropped sleeves (3/4), polka-dot and houndstooth fabrics, capri pants.

The color scheme was distinguished by a combination of calm tones with bright ones (for example, gray with pink), as well as juicy monochrome: red, blue, green, yellow were dressed from head to toe. Preference was given to expensive natural fabrics: silk, satin, crepe de chine, velvet.

Ready-to-wear

Until the middle of the last century, wealthy ladies over 35 were the main consumers of fashion. Young ladies were offered a simplified version of the adult style. The length and width of the skirts were the same for both 17-year-olds and 70-year-olds.

In the 50s, fashion turned to the young. Post-war youth appreciated practicality and wanted to express themselves. The need for fashionable, but inexpensive things has grown. The initiators were graduates of the School of Fashion at the Royal College of Art in London. The school was preparing a new type of fashion designer who could not only design clothes, but also calculate material consumption and cost.

In America, teenagers began to spend pocket money on clothes, who had not been seriously considered by the fashion industry before. Therefore, factories and small firms switched to mass production of ready-made clothes. At the time, 95% of the American light industry market was made up of ready-to-wear clothing. In France, the figure barely approached 25%. Therefore, the French designer Albert Lamperer spent two years in the States, studying the system of production, marketing and work with clients. In 1947, Lamperer coined the term pret-a-porter (French for "ready to wear"). In 1951, the first show of women's industrial fashion was held in Florence, and in 1956 the Salon prêt-a-porter was held in Versailles, which demonstrated the birth of a new industry. In ready-made clothes, new synthetic fabrics were used: nylon and its analogues perlon, dralon, kapron, which gradually replaced expensive silk and wool.

Accessories

In the early 1950s, ladies didn't go out without a pair of leather gloves, but by the end of the decade, they were out of fashion. Short leather gloves were worn for the “deuce”, semi-long gloves for the suit, and a pair of satin above the elbow for an evening dress.

Often they (like the handbag) were made of fabric of the same color as the dress. Bags were miniature (usually flat, but could also be voluminous) with one short or long handle. Geometric shapes were preferred: a rectangle or a trapezoid.

They wore pumps with pointed toes and steady heels. Thanks to Hollywood stars, mules, glass-heeled shoes without a back with downy pompoms on socks came into fashion. An important accessory was a wide belt, with which ladies emphasized a thin waist or created it.

The more magnificent the hairstyle, the smaller the hat became. The new look led to new luxury hat styles in felt, taffeta, straw and flannel with brightly colored feathers. The boaters and berets returned. The crown of the hat became wider and wider until Jacqueline Kennedy did not change fashion by introducing small "pills". Nostalgia for the times of the king Edward affected in the appearance of veils and wide hat ribbons. For those who traveled in convertibles (or wanted it to appear so), a square silk scarf was an indispensable accessory, which folded diagonally and protected the hair. Its ends were crossed under the chin and tied at the back of the neck.

Decorations

At that time, women did not leave the house without jewelry. In the ears - round clips, reminiscent of buttons or large Creole rings. Dior introduced a necklace made of rhinestones and gray beads with brown streaks. Sets were popular: earrings, chain and bracelet. And, of course, every wealthy and self-respecting lady had a pearl necklace, or at least a string of pearls.

Makeup and hairstyles

Women were a showcase for the wealth of their husbands. Daily visits to the hairdresser and changing clothes several times a day were common and mandatory. The perfect housewife looked flawless from early morning - in high heels, with styling and makeup. Even if at the same time she had a vacuum cleaner or a frying pan in her hands. Nowadays, this image on the screen was embodied January Jones-Betty Draper from the series "Mad Men".

The new make-up was invented in Paris. Everything artificial and puppet was appreciated. The main attention was paid to the eyebrows and eyes. The outer ends of the eyebrows were plucked, and then drawn with a pencil in a new way. The base of the eyebrows was drawn thicker. Peaks were made raised. It turned out wide dark eyebrows with a clearly traced raised shape - the complete opposite of the 30th and 40th. Next, arrows were drawn with a black pencil, the shadows were shaded to the eyebrows, and the eyelashes were thickly painted.

It turned out "doe eyes". By the way, in 1957, solid mascara in a box was finally replaced by liquid mascara in a bottle with a round brush. It was first released by the company Helena Rubinstein.

The make-up was bright and thorough. However, due to the dense textures, the faces looked more like theatrical masks or paintings by artists. As if they were first plastered, and then the eyes, lips and eyebrows were painted again. Foundation (the market leader in this area was Max Factor) was supposed to be lighter than skin tone, which gave the face an aristocratic pallor. Therefore, blush was almost never used.

Another distinctive feature of that time is the combination of colors. Shadows were matched to the color of the handbag, since makeup was considered an accessory, and they had to be the same color.

As now, the color range of beauty products changed twice a year. Green, blue, turquoise, silver shades were in fashion. When they painted their lips, they sharpened the "cupid's bow" with a pencil. Lipstick had to be pale or bright pink, carrot, peach. And when in 1952 the brand Revlon released red lipstick fire and ice, it crowded out all other colors.

Hairstyles of the 50s have their own unique flavor. These are, first of all, hair pulled up high with the help of fleece and varnish or neat curls, which were given to fashionistas of that time by the difficult process of curling on curlers.

Hairstyles of the 50s are, first of all, hair color. In vogue then, thanks Brigitte Bardot were blondes. Sometimes hair was worn smooth, sometimes wavy, sometimes cut short, sometimes chin-length or shoulder-length, or fluffy. In general, in those days, women changed their hairstyle and hair color as often as their makeup and clothing line. Therefore, if one's own hair could not be quickly brought into line with the fashion trend, classic hairpieces or trendy bangs were used. It was impossible to do without hairspray.

Major style icons of the 1950s

Bettie Page became a top pin-up model by being the first to face the viewer. It happened on the set of a magazine. Playboy: Betty only wore a Santa hat. Contrary to the fashion of the time, Paige, a natural blonde, dyed her hair black. She sewed her own stage underwear and swimwear. It was she who helped women to liberate themselves and laid the foundation for the sexual revolution.

First year as first lady Jacqueline Kennedy spent more than $100,000 on clothes, jewelry, and visits to beauty salons. The unpatriotic wife of the President of the United States bought things from French designers: Chanel,Givenchy, Pierre Cardin. With the help of a dressmaker, she designed individual silhouettes: crew-neck A-line dresses and three-quarter-sleeve jackets. During the years spent in the White House, Kennedy never changed the style of dresses and hairstyle. The main details of her style were large sunglasses, gloves and a pillbox hat (it was a really new accessory that Jackie gave the 50th).

Marilyn Monroe- another sex symbol of those years. Her style was not as outspoken as Betty's, but not as refined as Jackie's either. The actress wore tight capri sweaters, fitted bustier dresses and puffy V-neck dresses. To make the hips sway smoothly, Monroe filed the heel on one shoe. She always put on her own make-up. Red lipstick has become her hallmark.

Style Audrey Hepburn- handiwork Hubert de Givenchy The couturier dressed the actress for "Sabrina" (a low heel with the same name came into fashion) and "Funny Face" (Hepburn danced in moccasins with low rectangular heels, which were also loved by fashionistas of that time). Givenchy helped Audrey create her own unique wardrobe, consisting of elegant tight skirts, fitted jackets, ballet flats and purses.

Despite the fact that the bikini was shown to the public on July 5, 1946, it was widely popular Brigitte Bardot.The actress wore a swimsuit during Cannes Film Festival in 1953 and conquered the whole world. Imitating her, the girls dyed their hair blonde, wore disheveled bangs, "babette" and "ponytail" hairstyles with silk ribbons, lined their eyes with black pencil and painted their lips with light pink lipstick. In the frame, Bardo got married more than once, always in dresses from famous couturiers. But for a wedding Jacques Charrier put on a ready-made checkered sundress Jacques Esterel, stating that "Couture is for old people".

In 1935 the fashion house Hermes released a bag, not the first and not the last. However, it-bag accessory became only 20 years later, when Grace Kelly appeared in a magazine life. In the photo, Grace got out of the car, covering her rounded belly with a bag. Since then, this model has been called Kelly. The Princess of Monaco did not rely on a complex cut, but on quality: natural fabrics and rich embroidery or precious stones.

Oh, those wonderful 50s! The times of the inimitable Audrey Hepburn, the brilliant Christian Dior and endless elegance in everything. Fashion historians still believe that the clothing style of the 50s was the most sophisticated and feminine in the entire fashion history of the last century. No wonder - after all, the clothes, the hairstyle, and the make-up of those years ideally emphasized the beauty of women. A woman of the 50s is a beautiful lady who knows how to properly present herself. Sloppiness and grooming were considered a gross violation of the rules of etiquette. Whether you're cleaning the house or rocking a party, you should always look like a million.
The style of the fifties can be attributed to different styles of clothing, it will be an elegant style or it's up to you.

Fifties mood

In order to better feel the spirit and style of that time, you need to have some idea of fashion, which consisted not only in certain clothes and styles, but also in mood.

The role model in those days was a girl with a thin waist, magnificent breasts, royal posture and sloping shoulders.
Have you noticed that all women who follow the fashion of the 50s look like a wonderful flower - an elegant thin heel, a puffy skirt, an impeccable hairstyle and bright makeup.
Style icons of the 50s and 60s, whose clothes were always impeccably matched, are: Grace Kelly, Brigitte Bardot, Audrey Hepburn, Marilyn Monroe and Sophia Loren. Just look at the photos of these amazing women and it will immediately become clear how to dress.
As we wrote above, the fashion designer who greatly influenced the fashion of this decade is Christian Dior. It was he who “invented” the new look style and erected strict canons of female beauty.

Fashion trends style of the 50s in clothes

In the 50s, wide skirts and a pencil skirt were at the peak of popularity, which, by the way, is now simply indispensable in a business style.
Another cult of the 50s is pearl jewelry. Even cleaning the apartment and making pies, the woman put on a luxurious pearl necklace.
Silk scarves, elegantly tied on the head, are also an integral part of the fashion of the 50s. Such an impromptu headdress gave the female image an unprecedented sophistication and sophistication.
Also a favorite accessory of fashionistas of that time was a hat, which, among other things, was an invariable attribute of any outfit. The variety of hats was great, so girls could afford to look different every day.
Elegant gloves are still considered the most feminine accessory to this day. It is thanks to the fifties that today we have the opportunity to choose gloves to match a handbag or coat.
The make-up of that time can be called extravagant even now, when, it would seem, all the frames are already missing. The fashion for makeup colors changed several times a year, and they matched it to the tone of clothes and accessories. Makeup in the 50s was "artificial": snow-white skin, juicy bright lips, big eyes with jet-black arrows. They did not forget about the flies, which were considered seductive and piquant.
In the make-up of that time, very bright colors were used and combined, now such combinations are called vulgar and vulgar. For example, turquoise shadows and carrot lipstick are the usual makeup of the most ordinary girl of the 50s.
Another, characteristic of the 50s, accessory is a wide belt. They wore it at the waist, thereby emphasizing the elegance of the figure, or on the hips, in order to make such an unobtrusive accent and complete the image.

It is a well-known fact that fashion is cyclical, it returns to what was once undeservedly forgotten.
And finally, this season it's time for vintage style. Now dresses of the 50s have become fashionable again.

The fashion of the 50s of the last century became the most elegant and charming in the history of the 20th century. She helped a woman to form or emphasize the ideal figure. In the 1920s and 1930s, women enjoyed the freedom to dress, but designers brought back into fashion corsets, crinolines, and bodices that their grandmothers abandoned.
The woman who followed the fashion of the 50s looked like a beautiful flower. The most relevant were skirts with a fluffy petticoat and a pencil skirt. Thanks to the right combination of dress and accessory, an amazing image of an elegant, irresistible woman was created.
Also, the fashion of the 50s of the 20th century was remembered for the variety of ladies' hats. Ladies loved to decorate their heads with beautiful hats, their styles are innumerable. Hats changed their appearance with great speed and became smaller and smaller. Later, square-shaped shawls came into fashion; they not only decorated the hairstyles of fashionistas, but also protected them from the wind. Scarves were tied around the neck, and crossed under the chin.
Gloves entered the fashion history of the 50s. They became a noticeable touch in the fashion of the 50s - 60s, without which the fashion of this period cannot be imagined. They were very popular. Gloves were worn with evening dresses, business suits, coats. The image was considered incomplete if the woman was not wearing gloves. Bags resembled reticules, the main condition was that the material of the bag must match the material of the suit.
As for the make-up of the 50s, it struck with its extravagance. Following the new fashion trends, the make-up colors changed twice a year, and matched the clothes and accessories.
Fashion 50-60 years - dudes
Stylish clothes in the fashion of the 50s and 60s were made of fabrics in checks, polka dots, stripes or multi-colored materials. The fashionista's image was complemented by elegant gloves, bright wide belts, hats, classic scarves and scarves, small clutches and, of course, low or high heeled shoes. The image was completed with voluminous hairstyles, curls or hair gathered in a bun with a bright bandage or bow.
Makeup also matched the look. Bright shades of shadows were chosen to match the clothes, lips were painted in bright pink or rich red, false eyelashes were used. Some fashionistas emphasized the image with contrasting glasses.
In the 50s, fashion was very bright, stylish and varied. Some trends of that time are still relevant, so do not be afraid to try on the image of an elegant, luxurious lady in the new look style.
You can see photos of fashion dresses from the 50s below in the gallery, and you can also easily find them in many fashion magazines and on the Internet.

The era of the 50s in fashion is inextricably linked with the big names of designers - among them are Cristobal Balenciaga, Pierre Balmain, Coco Chanel, Salvatore Ferragamo, Pierre Cardin, Yves Saint Laurent and, of course, Christian Dior, who predicted the vector of fashion development in the new decade of his revolutionary collection of 1947 in the style of new look. In the 1950s, fashionable clothing leaves the scissors of the masters, it again inexorably gravitates towards haute couture, praises femininity and is intended for a wealthy clientele - the nouveau riche who managed to make a fortune after the war, and the elite of show business.

Paris Four: Balenciaga, Chanel, Fat and Balmain

It is in the post-war era that success comes to Cristobal Balenciaga. This Spaniard by origin has always sought to feel the time and reflect it in his outfits. As a talented colorist, he loved to mix dramatic shades of black, blue, white, pink, gray and gold, inspired by the paintings of Velazquez and Goya, flamenco, bullfighting and the rituals of the Catholic Church. In 1953, Balenciaga creates a suit that will become one of the symbols of the decade: it consists of a semi-fitted jacket with a high turn-down collar and a straight skirt with light pleats. Such an elongated silhouette of Balenciaga visually made the figure slimmer and thinner, and a minimalistic cut without unnecessary decor did not distract attention from the woman herself. A year later, in 1954, Coco Chanel will show a similar suit in his first collection after the war, but only to the black buttonless jacket, which is destined to become an icon of Chanel, the designer will add decorations in the form of large brooches with stones. As for evening dresses, in this area of \u200b\u200bfashion in the 50s there are no equal Frenchmen Jacques Fatou and Pierre Balmain. Fat makes a name for itself on luxurious evening dresses with unusual decor - these were huge bows on the belts and high collars that covered the face. Balmain evening wear at this time is recognizable for its tight corsets, deep necklines that open up space for jewelry around the neck, and rich embroidery. Even everyday outfits from Balmain were distinguished by luxury: on jackets and suit muffs, the designer, for example, used expensive and rare leopard fur.

The content of the article

Very often, the concept of "retro" and "vintage" is perceived as one and the same. However, it is not. And, first of all, this applies to women's dresses. So, retro-style outfits include the fashion heritage of almost all centuries. When you need to purchase, you can easily find the right one in almost any store.

50s of the last century fell on a more measured life, which began to return to its usual course after the consequences of the war. Women have become even more equal and interested in good appearance. Fashion designers of that time created new collections and fashion trends with great success, leaving their descendants a legacy of beautiful models of luxurious dresses that have not lost their relevance even today.

Dresses in the style of the 50s. very graceful and feminine. The style of the dress emphasizes the figure, creating a very delicate silhouette of the perfect hourglass. This is a tight-fitting bodice, an accentuated high waist and a fluffy skirt or pencil skirt to the knees. It is noteworthy that the dresses of that time are ideal for the office. They can be solid or neutral shades. If the model is with a pattern, then it is usually a strip, a cage, polka dots, etc. These dresses look great with classic pumps with heels. As for accessories, a simple belt, a black and white scarf around the neck, combined with a trapeze-shaped bag will be the perfect completion of the image. In our time, the famous dresses of the 50s. are considered timeless classics.

Features of the outfits of the 50s

Dresses in the style of the 50s. have their own characteristics. First, it is a special silhouette in the shape of an hourglass. Secondly, a fitted top, often consisting of a corset or frame. And, thirdly, a slightly lowered border of the skirt, which visually makes the figure more seductive. Therefore, such styles of dresses look great on any, even overly thin, female figure.

Do not forget that you can convey the image of those years only by completing the entire ensemble. So that the outfit becomes harmonious, you need to choose the appropriate shoes, accessories and hairstyle for the dress. For example, shoes in the style of the 50s. were with rounded toes and steady low heels. In addition, women did not carry large roomy bags. These were miniature rectangular handbags, a bit reminiscent of a briefcase.

Remember that at that time a special role was assigned to a thin and graceful waist, so women often wore slimming corsets, which today have been replaced by shapewear that will make the figure even more seductive.

Popular styles

A classic dress in the style of the 50s - a dress with a puffy skirt. This style will help hide imperfections in the hips and abdomen, but at the same time, which is considered to be a dress with a fluffy skirt, it allows you to hide figure flaws in the abdomen and hips. But it leaves the opportunity to demonstrate female forms and charming legs.

If the figure is slender, then narrow knee-length dresses will be an ideal option. By the way, these styles were favorite of Marilyn Monroe.

Dresses in the style of the 50s. today they are distinguished by very puffy skirts, a slightly high waist and a deep neckline. Sleeves, if provided, can be absolutely any length. Among the popular ones are three-quarters and flashlights.

Colors and finishes

Models can be made in completely different colors, but the most common colors for dresses in the style of the 50s. - two-color graphic or floral designs, for example, a combination of white and blue, white and red, red and black.

Models of dresses with puffy skirts are usually decorated with such an accessory as a wide belt with a buckle. The image is complemented by bright earrings and bracelets, as well as miniature rectangular handbags.

If the dress is intended for the evening, then hand embroidery can be used as a decor, if for a wedding - pearls, beads and more.

Fabrics and textures

Sophisticated dresses in the style of the 50s can be made from different fabrics. So, linen, satin, cotton are suitable for everyday outfits. For more solemn occasions, satin, silk, guipure or organza are suitable. In models with a fluffy skirt, a light fabric (tulle of different stiffness or organza) is used for the lower component, which will be opaque due to the volume. The upper skirt, in turn, may consist of thin matter and will not be translucent at all.

The original version of the dress in the style of the 50s will be a dress made of fine wool. Such a model will be not only stylish and beautiful, but also very warm, so it can be worn in a warm autumn.

What to wear

Models with puffy skirts are unusually bright and feminine, so they do not require any additional accents. Shoes for such a dress are recommended to choose elegant and simple with high heels. But they can be both plain and openwork with a floral print. The main thing is to avoid geometric patterns - they are not desirable for such an outfit.

As for the hairstyle, it is recommended to decorate the hair with a rim or put a small hat with a veil on the head. This image is often complemented by a scarf worn on the head or draped over the shoulders. In addition, you can use a metal choker necklace and add a few large bracelets.

Barely recovering from the difficult forties, people began to restore peaceful life. The revival was noted in all spheres of human activity. Could not stand aside and fashion. The new style of clothing struck with a riot of colors, intricate styles and rich decor. After the laconic functional models of the war, the bright dresses of the 50s led women to complete amazement and delight. Thin pale-faced girls were replaced by buxom beauties with sloping shoulders and wide hips. Women began to pay more attention to their appearance, a hint of hidden sexuality began to be traced in clothes.

The fifties in the history of clothing are invariably associated with the name of the legendary French couturier. It was he who, in the late forties, released the first post-war collection of New Look models, thereby launching a completely unique high fashion trend. Women's dresses of the 50s from Dior were distinguished by sophisticated elegance with a slight touch of romanticism.

In fashion, there were two main silhouettes of clothing. The first is a puffy dress shaped like an hourglass. The skirt, sewn in the form of a bell, barely covered the knees, sometimes reaching the floor. Under it, unsuccessful hips were perfectly hidden. The flared hem created the illusion of a thin waist. To further focus on a slender figure, dresses were tied with a thin belt or a narrow strap was put on.

The upper border of the skirt was slightly above the waistline. Thanks to this, the contour of a high chest was clearly outlined, and the female figure seemed fragile and defenseless. The volume of the lower part of the dress was achieved through multiple skirts with draperies, pleated pleats or strongly flared from the waist.

The second type of cut is a tight-fitting dress, narrowed down. The waist was lowered 4-5 cm below the natural line. To give the models more grace, a thin camp was emphasized with a wide belt or peplum. This reinforced the emphasis on the smooth curve of the female silhouette. Thanks to the simple cut of the bodice, the girls looked reserved and independent.

In the styles of the new look, the rough, sharply defined lines characteristic of men's clothing were completely absent. Instead of extended shoulders and baggy volumes, flowing silhouettes and streamlined shapes were offered.

According to the eminent fashion designer, feminine sophisticated dresses should always be worn regardless of life circumstances. Such clothes give more dignity of self-confidence. Women in elegant outfits simply cannot fail to be successful.

How do the styles of dresses in the style of the 50s look today?

Modern versions of Dior's models are a flower silhouette with layered skirts, a deep neckline and a slightly high waist. Variants of this style are pleasing to the eye with a great variety. The cut of the dresses provides for the presence of full-length sleeves, three-quarter sleeves or short puffy lanterns. Summer models are most often found without sleeves.

Cutouts are also diverse: rounded, triangular, square, figured in the form of a heart. They beautifully expose the neck and emphasize the gentle oval of the face. Collars are turn-down in the form of a shawl or rounded, sailor's, fastened with a couple of buttons, and many others.

Retro dresses for everyday use are usually sewn from simple natural fabrics based on cotton and linen threads. Evening models made of silk, satin, velvet look original and elegant.

To give the skirts more volume, the cut uses the principle of layering, combining several different materials. For example, an underskirt made of hard and light tulle gives a fluffiness to a delicate silk dress. This fabric perfectly holds its shape, which is reminiscent of ancient crinolines.

The colors of dresses tailored in the new look style are as diverse and bright as in the distant past. The traditional combination of black with white or red, pink with gray, brown with beige is in fashion. Prints with elements of geometric shapes (peas, stripes) or plant themes (flowers, buds, leaves) are very popular.

Who suits the fashion of the 50s?

The main advantage of vintage clothing is that with the help of a fluffy skirt you can make adjustments to any physique. So, girls with a figure in the form of a rectangle or an inverted triangle acquire the missing volume of the hips and an expressive waist. The dress perfectly solves the problems of women with protruding belly, folds on the sides or lush buttocks.

The ability to manipulate the length of products helps to change the visual perception of the female figure. For owners of slender limbs, you can safely choose shortened models of dresses. For those whose legs have undergone cellulite changes, it is better to cover the knees with an appropriate length of skirt.

What to wear with vintage 50s dresses?

Modern women have the right to choose: strictly comply with the requirements of retro fashion or use individual style elements in current dress models.

Shoes- In the fifties, they wore shoes with cropped and rounded toes. Heels preferred medium height, narrow and stable. Today it is quite possible to introduce shoes with a thick platform or high heels into a stylish look.

Hats– The retro image is matched by a lush bouffant of hair, over which a small silk handkerchief is thrown, tied with a soft knot under the chin. Wide-brimmed hats go well with summer outfits with puffy skirts. They can be decorated with a small flower or a ribbon to match the dress. With business attire, small round pillbox hats with a short veil are in perfect harmony.

Handbags- In the 50s, small, neat square-shaped models or chest-like ones with short handles were relevant. For a business suit, reticules were more suitable - handbags without a rectangular strap, which were worn in the hands. A worthy replacement for the vintage trend is a clutch.

Underwear- To make the waist narrower, in the 50s, women wore shapewear. Elastic tight-fitting fabric in combination with a fluffy skirt gave the feminine silhouette fragility and grace. Today, the theme of tight underwear is still relevant.

Decorations- Flower dresses in the 50s looked bright and self-sufficient. Therefore, they did not require catchy jewelry or jewelry. The exception was evening dresses, for which they chose small beads or a pearl bracelet. Openwork gloves were considered an indispensable attribute of fashionable style. Today, all the requirements for decorating dresses have remained unchanged.

Photo: cocktail models of dresses in the style of the 50s

Appearing at a friendly party or dinner party in authentic attire is considered a sign of good taste. Dresses made from noble fabrics of velvet, brocade, satin look luxurious and delightful. The fitted bodice provides a good fit, elegant silhouette. The main element of the evening dress is the neckline. In accordance with the requirements of the style, it can have a variety of shapes. But the deep décolleté is recognized as the most elegant and sexy.

It is appropriate to decorate an open neck with a pearl thread. A greater effect is given by products made of precious metals, inlaid with sparkling stones. Bare hands are complemented with plain satin elbow-length gloves. The last detail of the set is pumps with low thin heels.

Wedding dresses in the style of the 50s

Marriage is an exceptional event in a girl's life. On this solemn day, every bride wants to be irresistible. A wedding dress in the spirit of the vintage 50s brilliantly fulfills a cherished girl's dream.

In order for the selected model to fully comply with the requirements of the new look style, certain details must be present in it:

Wide belt that emphasizes a slender waist.
Puffy layered bell skirt.
Bare arms, open shoulders and back to the middle of the shoulder blades.
Bodice with a shallow neckline, close-fitting torso.
Classic length, slightly covering the kneecap.

The most suitable types of fabrics for sewing a feminine wedding dress are natural silk and satin. As for the color, the traditional white can be completely replaced with delicate pastel shades. Peach, pale pink, yellow, blue, champagne or ivory are well suited for this.