Carnival costume of a Roman soldier. King costume: interesting ideas and recommendations for making a Roman warrior helmet from cardboard

The ninja hood is easy to make, but in this case, the image will remain unfinished. So why not take care of creating a full-fledged costume? Moreover, the answer to the question of how to make a ninja costume with your own hands is more than simple - you need to follow a few simple steps, and the child will be able to go to the holiday in the guise of his favorite hero.

Stage 1

For the first step in creating ninja outfit, you will need a regular T-shirt - only the size of the product plays an important role, because it should wrap around the head. The thing needs to be laid out on a flat surface, rolled up - the product rolls into a tight roll, starting from the bottom edge.

The result is a semblance of a bandage - the hallmark of a real ninja. It is put on the head, and the edges are tied at the back of the head. You can wrap the sleeves in the middle or leave them free - in any case, the hood will hide all the flaws.

As for the shade of the T-shirt, each ninja chooses his own color - it all depends on personal preferences. Therefore, the answer to the question of how to make a green Lego ninja is more than simple - choose clothes in the right shade.

Stage 2

When the headband is ready, it's time to start creating the belt, which is sure to adorn the ninja. The process almost completely repeats the previous stage: the T-shirt is laid out on a flat surface, gently rolled into a tight roll, but you don’t have to wrap it around your head. When choosing the basis for creating this element of the costume, you should first measure your own waist. As for the width, it should be slightly larger than the volume of the hand.

The sleeves “turn up” back - the middle of the product should be exactly in the center of the abdomen. The belt is worn as tightly as possible, but it should be borne in mind that the image will not look the best if a huge knot decorates the back of a brave ninja.

The sleeves are neatly tied, after which they "hide" in the belt. It is important to gather the belt in such a way that the neck of the T-shirt is in its inner part. This is the easiest way for those who are looking for how to make a ninja costume at home.

Stage 3

As a basis for the ninja look, you will need another t-shirt. It is worn over the main clothing, after which the sleeves are tucked in - the product should look like a vest. It is very important to do the work as carefully as possible - no folds or bends. It is best to completely sew the sleeves with the main product, but this will require at least minimal sewing skills - otherwise the seam line will be too obvious, and the outfit will look sloppy.

For those who are looking for how to make a ninja costume, an elongated T-shirt - initially it is put on in the usual way, after which the lower part is pulled over the head. As a result of these manipulations, a semblance of a tight-fitting vest is obtained - this is exactly what ninjas look like.

You may have to experiment with several outfits, choosing for ninja costume the one that will sit most comfortably, without restricting movement at all. Parents' clothes are perfect for a child.

Stage 4

Hood. And again, a T-shirt will come in handy - a long-sleeved product is put on the head so that the neck is on the top of the head, and the fabric covers the ears and nose. This is what real looks like warrior.

The back part is pulled over the forehead - do not worry about the hairline becoming open, because a special bandage will hide it. It is important that the outfit in no way interfere with the little owner - the hood should be tight enough, but not put pressure on the head and not cause the slightest discomfort.

After the hood is comfortably put on, it is fixed on the head - sleeves are used instead of ties. You can leave them completely free, but it is better to hide them under the hood so that they do not interfere during active entertainment. If desired, any other outfit from this series can be done in the same way.

This is a great answer to the question How to make your own ninja turtle costume.

Stage 5

To make a ninja costume, you need to take care of the protection of the limbs. The T-shirt wraps around the hip - fold the product in such a way that the sleeves and collar are not visible. All nodes should be at the back - the more inconspicuous they are, the better.

The sleeves are also wrapped around the leg, like the main product. The same process is repeated for the second leg.

In this case, the T-shirt is wrapped around the hips, after which the procedure is repeated for the shins. When the legs are protected, it's time to take care of the hands - they are wrapped in exactly the same way as the lower limbs. Or you can initially wear a long-sleeved T-shirt - the main thing is to choose the right shade. But it is important to remember a simple rule: the more layers, the more realistic the image of the ninja.

To simplify the process of creating an outfit, it is worth watching a suitable video. How to make a ninja costume - all stages of the procedure are described in as much detail as possible. The image is almost complete, but it remains only to determine which side you have to take for yourself, because the style of the outfit depends on it. Good traditionally prefers light shades, and dark tones are more characteristic of evil.

Stage 6

Preparation will not take much time - it remains only to try on ready product . Initially, things are put on that will form its basis - the best option would be a T-shirt and pants or leggings for training. But it is important to remember that things should be combined in color - a variety of shades is not characteristic of the appearance of a ninja.

Those who are looking for how to make a ninja costume should keep in mind that the most popular tones are:

Sometimes girls also want to try on the appearance of a brave warrior - in this case, pink shades will look amazingly stylish.

Over the base, all the elements of the outfit are consistently put on. It is best to use someone else's help for this purpose - this will greatly simplify the fees. After all, you will need to adjust the hood, tie knots behind your back, fix the product as tightly and conveniently as possible so that nothing moves out, even during active entertainment.

Do not deny the child the pleasure of choice - let the child choose the right weapon and accessories for himself. These can be various variations of swords, special stars used for throwing, or even daggers. Shoes, gloves, badges - all this will complete the look.

Ninja is a one-color outfit that is created from one-color T-shirts. But if you want, you can play in contrast.

Nothing superfluous - it is important to carefully tuck the knots inside, hiding the neck and sleeves. You can stab them with a pin, but it is better to make a few neat seams.

Important

Too tight belt or protection for arms and legs can cause numbness or pain in the limbs.

To create, you will need about 12 T-shirts - you can replace them with fabric cuts

Plain pants or trousers




The militarized nature of the Roman slave-owning state over the course of several centuries turned the small city-state of Rome into a powerful world power, which ruled over the territory of modern Europe, Asia Minor, and Egypt. Wars of conquest, sharp class differentiation, wealth and luxury at one extreme, poverty and lack of rights at the other, give Roman society an appearance in which features of similarity with ancient Greece are lost. The whole history, all its stages were reflected in the development of the clothing of the Romans. Roman culture was formed and developed under the influence of various cultures, but above all, ancient Greek. The natural and climatic conditions of Ancient Rome were much more severe than in the Balkans, the lack of fertile land, difficult living conditions formed the Romans as harsh, courageous and practical people. Therefore, the Roman ideal of beauty was different from the ancient Greek. Further aggressive policies and endless wars shaped the development of such an ideal: men of strong physique, hardy, stern, women should be majestic, have a smooth gait, have round shoulders, wide hips and small breasts. The main feature of the aesthetic ideal of the Romans is rigor and simplicity in everything.

Fabrics, ornament, colors

The most common material from which clothing was made throughout the history of Ancient Rome was wool. The Romans have long been able to produce different types of woolen fabrics, in particular, very thin and soft, as well as dense, fleecy. Along with wool, linen fabrics were also used, mainly for underwear, which was worn directly on the body.
Already in the 1st century AD. silk was also known in Rome. The appeal to silk fabrics spread more and more, and already in the late period of the empire, silk clothing became quite familiar in the life of the rich sections of the population, especially in the east. At first, these were light, thin silk and semi-silk fabrics, including translucent ones (for noble fashionistas), and then more and more dense, heavy fabrics prevailed.
The main color of ancient Roman clothing in the early period was white, which showed the privilege of full Roman citizens. The white color partially retained its significance later as the color of ceremonial clothes, especially when performing sacrifices and other religious ceremonies and rituals. Slaves and inferior citizens were not allowed to wear white clothes. The colors of their attire were dark: brown, yellow-brown and gray tones prevailed. Starting from II Art. BC, along with white, clothes of other colors were widely worn.
The colors of women's suits were especially diverse, while men's had only red, purple and brown tones. Clothing dyed in the highest grades of purple, from the time of Domitienus Flavius ​​(81-96 years old) and especially Theodosius II, even the courtiers were strictly forbidden to wear - purple became an exclusively imperial color.
The main Roman ornamental elements are acanthus, oak, laurel leaves, climbing shoots, ears of corn, fruits, flowers, figurines of people and animals, masks, skulls, sphinxes, griffins, etc. Along with them, vases, military trophies, fluttering ribbons, etc. etc. Often they have a real form. Ornamentation also carried certain symbols, allegory: the oak was considered a symbol of the highest heavenly deity, the eagle was a symbol of Jupiter, etc. The Greeks valued art for the love of beauty, the Romans for the love of luxury. Eastern influences gradually increase in late Roman ornament. It outlines the features of the future style of Byzantine culture, which became the successor of antiquity.

Men's suit

The tunic and toga - the basis of the ancient Roman men's costume - differed in their artistic and constructive solution from the Greek chiton and himation, although they had common features.
shirt-like tunic served the ancient Roman as everyday home wear. She was no longer a simple piece of cloth in which the body was draped. Sewn from two panels, the tunic covered both shoulders, and was worn over the head and at first had only side armholes. Then she got sleeves short to the elbow, which were not sewn in, but were formed by folds of fabric; they have long been considered a sign of panache and effeminacy. The tunic, apparently, came from a loincloth and at first consisted of two pieces of fabric fastened on the left shoulder with a fibula (from Latin fibula, a staple is a metal fastener for clothes, which simultaneously serves as an ornament.). And later, having already become cut and sewn clothes, the tunic was perceived as folk clothes, decent for the poor.
The tunic did not have a collar - all antique clothing was devoid of collars. A knee-length tunic was girdled. The senator wore a tunic with a wide purple stripe ("clavi" ). This tunic was called tunica laticlavia . The horsemen and tribunes from the plebeians could afford only narrow purple stripes on their tunics - "angusticlavia" . The soldier's tunic was ordered to be shorter than the civilian one.




The Romans used to say "populas tunicatus", that is, “wearing a tunic” (without a toga), otherwise “common people”, “shirtmen” ( "tunicati"). The common folk tunic was short and dark ( tunica pulla). The Roman Senate at one time discussed a proposal to introduce the same tunics for all slaves, which, as it seemed to the legislators, would facilitate the capture of fugitives. But prudence triumphed: the senators judged sensibly - such clothes would only strengthen the sense of solidarity and unity among the slaves, and meanwhile the threat of an uprising became more and more real.
One or two tunics were worn, but under Augustus it became fashionable to wear three or more tunics - for example, Augustus wore four. The tunic was belted below the chest; when several of them were put on, only the lower, sleeveless one was girdled.
The richer and more noble was the owner of the tunic, the more skillfully it was decorated. Decorative ornaments (stripes, embroidery, ornament) also had a class and official character. They were predominantly dark cherry, purple, blue; color had a certain symbolism. So, purple vertical stripes along the front of the tunic, differing in number and width, were worn by Roman senators and horsemen. The tunic of the victorious commander was purple, embroidered with a pattern in the form of golden palm branches. The triumphant wore a special tunic: it was embroidered with golden palm branches, was kept in the temple of Capitoline Jupiter, was included in the temple inventory and was issued only on the day of the triumph. Here is an example of the names of some tunics: tunic recta (straight, narrow); pretext tunic (with one purple stripe, worn by higher magistrates, for example, senators (the so-called tunic laticlavia ) or Roman boys under 16); palmata tunic (decorated with embroidered palm leaves, the hallmark of a triumphant); tunic angustiklavia (with one or two narrow purple stripes along the body, worn by riders); paragauda tunic (with sewn-on brocade stripes), etc.




The ancient Romans called themselves "gens togata"- "people in a toga." Toga- clothing of Etruscan origin, literally translated means "covering." Toga was a sign of belonging to Roman society, a sign of Roman citizenship. Virgil (Publius Virgil Maron (lat. Publius Vergilius Maro; October 15, 70 BC, Andes near Mantua - September 21, 19 BC, Brundisius) - the national poet of Ancient Rome, the author of the Aeneid, nicknamed "Mantuan swan") called the Romans "Lords of the world, a people dressed in togas." A citizen sent into exile lost the right to wear a toga, and foreigners were not granted this privilege at all. At first, in ancient times, both men and women wore the toga. Later, it became only men's clothing. The toga was an official, ceremonial attire, obligatory to wear in certain situations.
But the toga was not only an expression of Roman affiliation. It also meant a peaceful life (the Romans said: “cedant arma togae” - “weapons will give way to a toga”); socio-political activity, political eloquence (“toga enitescere” - “he who achieved the toga, showed eloquence”); civil power, the senate ("dercreto togae" - "toga law").




A young man at the age of sixteen put on a man's toga ( toga virieis ). Children of full-fledged Romans and high dignitaries wore a toga with a purple border ( "toga praetexta" ), the applicant for the highest position received the right to a snow-white toga ( toga candida , where the word “candidate” came from), in theory it could be a person with a spotless reputation. Consular toga ( toga palmeta ) decorated with a palm pattern; the victor dressed in an embroidered toga ( toga picta ) scenes from Roman history were embroidered in gold on it. The imperial toga was supposed to be purple ( toga purpurea ). casual toga ( "Toga pura" ) was made of heavy white wool, without colored ornaments. On the occasion of mourning, they put on a gray toga ( "toga pulla" ). The accused wore a gray toga. The unjustly accused would show off his soiled toga to arouse public sympathy.




It is assumed that the toga was put on in the following way. Taking it with both hands by the straight edge, they divided it into three parts and laid it on the left shoulder so that the first third hung forward - almost to the ankle. The next third of the fabric went along the back under the right arm - while the fabric hung down, ending up on the floor (after all, it is this part of the toga that accounts for the maximum width). It was this part of the toga that was draped, laid on the right side with deep folds. The remaining third of the fabric was thrown over the left shoulder. This part of the toga either remained hanging down the back, and its end was thrown over the left arm bent at the elbow. Either this last third once again passed along the back, then - on the right under the arm (and here it draped in accordance with the folds of the previous layer), finally, went to a piece of the first third and tucked under it several times, forming the so-called umbon (a metal plaque of a hemispherical or conical shape, placed in the middle of the shield, protecting the warrior’s hand from blows penetrating the shield. Under the umbon there is a handle for which the warrior holds the shield. It also acts as a shield decoration.) on the left side of the chest. Or, finally, this third part, lowered down to the ankles, passed between the legs and rose to the left side of the chest to form an umbon there, as in the second case. Wearing a toga without a tunic was classic, aristocratically strict, so that the right shoulder, the right side of the chest were open.




Toga was expensive and solemn clothing. They put it on when they went to the circus and the theater, to the court or to the meeting of the victor. Under the toga, they put on a tunic and a kind of apron, to some extent replacing trousers, which were rejected as barbaric clothing.
At first, the toga was small. But with the growth of the social claims of the ancient Romans, the size of the toga also grew: in the end, its length reached five and a half, and its width was three and a half meters. Toga obligated to unhurried movements and majestic posture, otherwise this complex structure could simply fall apart. In imperial Rome, high position led to the maintenance of a staff of servants who were entrusted with the care of the clothes of a noble person. Among the servants of the emperor were listed: in charge of the triumphal white clothes of the emperor, in charge of his hunting clothes, theatrical tailor. As a rule, all these people were freedmen.



A little later, these bulky heavy togas are replaced by light ones. cloak, reminiscent of a Greek mantle, which was fastened not on the shoulder, like the Greeks, but in the middle of the chest under the neck. They also wore a lacerna - a cloak similar to a mantle, but from more expensive fabrics woven with gold and silver threads. The cloak was carefully chosen to match the color of the tunic and was worn on the chest with a fibula, covering the shoulders. The lower classes wore short cloaks, which, by the way, were much more comfortable than the cloaks for higher persons. A little later, the aristocracy began to wear such cloaks. There were several varieties of cloaks: sagum - a soldier's cloak made of coarse wool and having a hood, lacerna - a cloak of medium length with a hood and fastened under the chin with a fibula and pulled together by a belt, paludamentum - a military cloak made of thin white or purple fabric. On such a cloak there were many folds, and it was fastened on the right shoulder.





In late Rome, various versions of the penula began to be worn. Penula - a cloak that has a circle or semicircle in its cut, where there was a hole for the head, it was to it that the hood was sewn. Ordinary peasants wore pencil cases made of coarse wool, for rich dandies a cloak made of expensive decorated fabrics was intended. Penula was the traditional clothing of shepherds, it was worn by travelers, it was a cloak of an oblique cut with a hole for the head, with and without a hood. They wore it unbelted.
Gradually, this clothing is replaced by another, more deaf, which allows you to hide the natural shapes and proportions of the figure. Such changes occurred due to the influence of East Asian traditions on Roman culture and the spread of Christian ideology in Rome.
Narrow long tunics began to appear, wide dalmatics, which hid the whole figure: from the neck to the feet. In those days, variegation in ornamentation gained popularity, they began to appreciate and love a variety of decorations.




Woman suit

Drapery was also the basis of women's costume. Its main parts were a tunic (which did not differ in cut from a man's) and a table.




Stola(lat. stola) was a special form of women's tunic with short sleeves, wide and with many folds, reaching to the ankles, at the bottom of which a purple ribbon or frill was sewn (lat. instita). At the waist of the table was tied with a belt. Such clothes were worn by matrons from high society and neither freedmen, nor women of easy virtue, nor slaves dared to wear them. Seneca believed that the table should not be bright or colorful: "matrons should not wear fabrics of those colors worn by corrupt women."
The tunic served as underwear, over which a corset (strophium / mamillare) was worn made of thin leather and a table. The table repeated the style of the tunic, only it was wider and longer, it was sheathed with a pleated frill at the bottom. It was combined with a tunic due to combinations of different textures and different densities of fabrics, sleeve lengths and decorative design. The stola was girded with an overlap, variations of which created the required proportions. A draped cloak served as outerwear - palla, which was sometimes replaced by a penula.




Stolu in the 2nd century AD. e. changed palla, and the pallium toga (lat. pallium) - was a simplified Greek himation - a piece of soft fabric that is thrown over the shoulder and wrapped around the waist. This cloak has become popular because of the ease of wearing. The favorite color was purple, but the palla was also yellow, white, black, decorated with gold.




The head was covered with a veil or the edge of a palla. The main types of decoration and decorations were embroidery and fringe. In the III-IV centuries, when the idea of ​​the beauty of the female figure changed, developed forms and emphasized proportions, revealed by draped clothes, were replaced by flat static forms. Light and thin Greek and Assyrian silks were replaced by heavy oriental fabrics with large patterns. Such fabrics kept their shape, not allowing, in accordance with Christian ideas about the priority of the soul, to demonstrate the beauty of the figure, its plasticity. The colors of the women's costume were dominated by combinations of brown tones with golden yellow, purple with green, blue with gray. Shoes were soft shoes made of colored leather, trimmed with embroidery or metal plaques.




Shoes were divided into sandals (lat. soleae, sandalia ), boots (lat. calcei ) and boots (lat. caligae ). Men wore mostly natural-colored leather shoes, women's shoes differed little in shape, but were of various colors and softer leather. Wealthy women wore shoes adorned with pearls, gold and precious stones. Strong boots, according to modern experiments, could serve for marches of 500-1000 km, putting on such boots took about 3-4 minutes. There were shoes for senators, consuls, warriors. All strata could wear sandals, but only free citizens were allowed to wear high boots. calcea boots . Aristocrats wore such boots with silver buckles and black straps, ordinary Romans wore black without decorations. The emperor's calcei were purple. The expression "put on purple shoes" meant to take the throne. Soldiers and travelers put on shoes Kaliga - high shoes made of rough leather with open toes, thick soles and lined with nails. Emperor Gaius Caesar Augustus Germanicus was nicknamed "Caligula" (Latin caligula, a diminutive of caliga) because he spent most of his childhood in army military camps and wore legionary clothing, including boots tailored to his size. The peasants wore kurbatins - shoes made of a piece of rawhide, fastened with straps. Wooden shoes were worn by slaves or the poor.






Hats

The main types of headdresses were borrowed by the Romans from the Greeks. Just like the Greeks, the Romans rarely wore them. These were hats and caps made of felt, leather, straw, plant fibers. Priests completely covered their heads. Quite often, women threw the edge of a palla over their heads, just as men covered their heads with the edge of a toga. The heads of the winners were decorated with wreaths of oak, laurel, myrtle, ivy, violets and artificial flowers, as well as gold. Warriors wore helmets made of leather or metal. If Sulpicius Gallus rejected his wife because she appeared in a public place without a headdress, then during the time of the empire, traditions became less strict. Many women considered it sufficient to wear as a headdress - vitta - a woolen bandage that fastened their hair (as a right and a sign of matrons).

Jewelry and accessories

Jewelry for the Romans meant more than for the Greeks, as they were supposed to make the costume of the "ruler of the world" representative. Thick gold necklaces, gold wreaths, rings, bracelets, brooches belonged to men's jewelry. Women's adornments included neck chains and necklaces of various shapes, rings and bracelets, which were usually given the Greek shape of a coiled snake, head hoops and diadems, also predominantly of Greek shape, buckles and clasps. The passion for jewelry reached its peak during the Empire (rings were worn 5-6 pieces on each finger). Of the precious stones, colorless ones were especially highly valued, especially diamond and opal. Pearls were called unio (unity). They decorated their hair, neck, inserted into earrings, rings, bracelets. Fashionable jewelry trinkets also included amber and crystal balls, which were carried in the hands.





Despite the anti-luxury laws (the lex Oppia in 193 BC) and the condemnation by moralists of women's love of luxury and extravagance, Roman women of all walks of life willingly wore jewelry. Rich jewelry showed the status of a woman (and her husband) in society. Women used tiaras, rings (lat. anuli), gold-decorated ribbons woven into their hair (lat. vittae), earrings (lat. inaures) (sometimes several were put into each ear), bracelets (lat. armillae) as jewelry. ; spintera - bracelets worn on the shoulder) and necklaces (Latin monilia) with or without pendants. The literature also mentions ankle bracelets (lat. priscelides) and chains for hips. Brooches were used as fasteners for clothes and served as decoration at the same time.
The main materials for making jewelry were gold, silver and electrum; often decorations were also made of bronze and glass. Precious stones were also used in jewelry: emeralds, blue sapphires, red garnets, opals, very rarely diamonds (diamonds were not known in Ancient Rome, and uncut diamonds are not very beautiful). Great popularity since

Emperor Augustus began to use pearls (Latin margaritae), which were imported in large quantities from the East; a pearl necklace was the cherished dream of every more or less wealthy woman. Women of modest means wore jewelry made of agate, amber, corals or jet, women from the lower class and slaves wore imitations of precious stones (for example, emeralds) or jewelry made of cheap colored glass.
The only decoration for men in the Republican period was a signet ring (a sign of belonging to the class of horsemen), which was most often worn on the ring finger of the left hand. In the days of the Empire, it was not uncommon for men to show their wealth by wearing several rings at the same time, adorned with precious stones; some wore large gold rings. Only a few men wore gold bracelets.


The king's costume looks beautiful and impressive. However, in the store they will ask for a lot of money for it, and for craftswomen who know how to sew, it is easier and cheaper to make it with their own hands. This work may seem complicated only at first glance, but if you remember what the costume consists of, then everything will turn out to be much simpler. And step-by-step master classes will only facilitate the work.

To make a New Year's costume of the king, you need to know its main components. This is what you need to work on. Most often, carnival costumes consist of:

The main details that distinguish the king from other characters are the crown and the mantle, under which you can wear any pants and a white shirt. To make the image more spectacular, a bright-colored shirt is put on and girdled with a wide belt.

King costume: how to sew a cape

Cutting out the mantle is quite simple. If you start from the color of matter, the product can become a princely cloak or. Making a king's costume with your own hands, they choose a fabric of red, gold or blue color with ornaments and decorate it with white fur.

To create a mantle, you need to prepare a dense red fabric, white faux fur, a brooch or a shiny button, lining fabric.



Work begins with the construction of a pattern. It is necessary to draw a semicircle, the radius of which should be equal to the desired length of the product. A second semicircle is drawn from the same center, the radius of which is calculated by dividing the girth of the neck by twice 3.14.

The mantle is cut out of red fabric, adding 1.5 cm on all sides for allowances. Separately, a cape is cut out on white fur. Next, the details need to be sewn. In the neck area, you need to make a fastener: make a loop and sew on a bright button or a beautiful brooch. Now the king's costume is almost ready, the only thing left to do is to make a headdress.



Crown making

On a children's matinee it is impossible to imagine without a crown. The easiest way is to buy ready-made, but it will be much more interesting and useful for the child to make it on his own (with the help of dad or mom). The crown can be made not only from cardboard or paper, felt is also suitable for these purposes. A beautiful product will complement the overall look and give the boy personality and sophistication.

It is best to use cardboard in the work. It is denser and will hold its shape better. A great idea is to use a template or example of a beautiful product. Decorate the crown with artificial stones that can be found in jewelry stores.



A red hat studded with the same artificial stones purchased at a sewing store can be a great alternative to a crown.

Original lace crown

Such a bright element will make the king's costume original, the child will remember it for a long time. Also, a similar headdress is perfect for a little princess costume. To make an exquisite and unusual crown, you need to prepare:

• lace;
• bijouterie;
• acrylic paint in silver or gold;
• brushes, pencil, scissors, adhesive tape, bowl;
• gelatin;
• cardboard or cardboard tube.

The first step is to prepare a piece of lace of the required length. The ends are sewn together and give the product rigidity. To do this, 1.5 teaspoons of gelatin are diluted with warm water and left to swell for 30 or 40 minutes. Next, the mass is heated in a water bath and lace is placed there for half an hour.

Lace is put on a paper base and placed in a microwave oven for 30-40 seconds at maximum temperature. After taking out the product, a second layer of gelatin is applied and again sent to the microwave. Such actions must be repeated at least 7-8 times until the crown becomes sufficiently rigid.

The crown is removed from the cardboard base and dried in the microwave for the last time for about 30 seconds. When the product dries, it must be painted with a brush in gold or silver. The crown is left to dry on a windowsill or outdoors. When the paint dries well, the finished product is decorated with light jewelry (rhinestones, beads, etc.).



When making a king costume with your own hands, you need to be aware of its main advantage: such an outfit is suitable for both a 4-year-old baby and older or teenage children. Choosing such an image is a great option to look bright, elegant and spectacular.

Source of the idea: The idea came from watching the movie Asterix and Obelix vs. Caesar. My son and I really liked the costumes of the Romans, especially the military leaders. Since the costumes on the Romans were a bit theatrical, it was decided to sew such a costume for the New Year's carnival. The abundance of glitter and painting emphasizes theatricality and festive mood.

Materials used: crepe satin, leatherette, gold braid, corrugated paper, PVA glue, papier-mâché paper (consumer or which soaks well in water), acrylic paints.

Consumption of materials: white crepe satin - 1.20 m, red crepe satin - 1 m, brown leatherette - 1.5 m, wide gold braid - 5.20 m, narrow gold braid - 15 m, acrylic paints (metallic), PVA glue, red corrugated paper - 3 pieces, Velcro.

Headwear: helmet. This was the hardest part of making the costume. Starting this task, I looked through a lot of pictures depicting the military-historical costume of the ancient Romans. The helmet is made of papier-mâché through numerous fittings and alterations. First, a contour of the future round part of the helmet was applied with a felt-tip pen to a rubber ball deflated to fit the child's head. Then I glued it with paper (I used ordinary consumer paper - sold in stationery stores), which I had previously picked up in small pieces and soaked in water) with PVA glue in 4 layers. Each layer must dry. After the fourth layer had dried, I carefully removed the workpiece. It turned out a paper "bowl". I glued a strip of paper to it in a circle (cut it off from the album sheet). This strip was also pasted over with paper soaked in water in 4 layers using PVA glue. So that when drying the whole structure is not deformed, I put the workpiece on a saucepan. Next, we measure the child's head from temple to temple, mark this segment on the blank of the future helmet. Carefully cut out a small semicircular strip with scissors so that the cut runs in the middle of the forehead. Then I marked the distance from the temple to the beginning of the ear on both sides. Next, we make cutouts for the ears. All cuts must be made very carefully and little by little, so as not to cut too much. The occipital part of the helmet with a bend was also made separately. On an enameled cup of suitable size, in accordance with the required dimensions, I glued the soaked paper with PVA glue in 4 layers. The crate must be started from the top of the cup to the bottom (do not touch the bottom) from the inside. It turned out a blank curved upward, which will be glued from the back of the head from ear to ear. We glue all parts, forming a helmet. Then we cover the entire helmet again with two layers of papier-mâché. When the whole helmet was glued together, for greater smoothness, I primed it with putty, and then sanded it with sandpaper.
The cheek pads were made separately. First, I drew a pattern on paper (I saw the form on the websites of a military-historical costume), tried it on a child several times to determine the size. Then she transferred it to cardboard, which, like the helmet, she pasted over in 4 layers of papier-mâché, and while the blank was still raw, gave it a semicircular shape. After drying, I also covered it with putty to even out the bumps, and sanded it with sandpaper. And so that they had mobility, I attached them with the help of door hinges (the smallest size) and self-tapping screws purchased at a hardware store.
For the crest, I made a semicircular frame made of thick cardboard (I used an old parcel box), which I also pasted over with papier-mâché and attached at the top of the helmet. All sizes were selected by trying on. Then the entire helmet was covered with silver acrylic paint. The red comb is made from corrugated paper. First, a semicircular pattern was made in size. Then the top edge was cut with a small fringe. All layers of corrugated paper were stitched with threads so that the comb did not crumble. The finished comb was glued with Moment glue.
The forehead was also made separately. The shape of the forehead, as well as the cheek pieces, I spied on the Internet. First, a blank was molded from plasticine. Then it was pasted over with papier-mache and, like the whole helmet, covered with putty and sanded with sandpaper. The headband was covered with silver acrylic paint. And to top it off, I painted it with gold and copper acrylic paints. The finished forehead was simply “sewn” with threads to the helmet.

Tunic. With a white tunic, there were no difficulties. The pattern was taken from the magazine "Burda". To the neckline, the bottom of the sleeves and the bottom of the tunic, I sewed a gold narrow and wide braid.

Shoes: sandals ready brown.

Additional elements: leather armor. Made from leatherette. These are two rectangles fastened together with small strips-thongs. On the shoulders, the "armor" is fastened with rectangular strips with rounded ends and "leather" petals sewn in two rows. Leather strips with rounded ends are sewn along the bottom of the armor. All edges are stitched with gold narrow braid. On the strips of armor forming something like a skirt, round plaques made of thick cardboard and covered with gold paint are pasted. I copied the drawing on the armor from a book and glued it to the “armor” with “moment gel” glue. I also glued the ornaments cut out of wallpaper scraps, which I painted with gold paint. "Armor" is worn over the head.
Armlets and greaves are also made of leatherette and duplicated with cardboard for rigidity. Decorated with gold braid and designs that I cut out of the remnants of the wallpaper, the same designs on the armor. Armlets and leggings are fastened with Velcro straps.

Accessories: the sword is ready.

About myself. I have been sewing since childhood. She started, like all girls, with doll dresses, and then this hobby grew into making carnival costumes. I sew costumes for the New Year to all my friends and, of course, to my children. I also enjoy knitting and cross stitching.

For a handsome and at the same time dangerous Roman warrior, you can sew a cape, under which chain mail is put on. The costume does not require much time, perhaps you will have to tinker only with a headdress.






Print, enlarge the cape pattern on graph paper in accordance with your measurements, transfer the details to the fabric, adding 1 cm for allowances. The tunic will look more spectacular if you make it with a lining, for example, the main part is red, and the inside is blue.

Sew the middle seam on the back. Fold the front and back right sides in and sew the shoulder and side seams. Overcast the edges of the seams. Turn the cape right side out. Cut out the trims for the sleeves from the fabric, sew them into rings and, folding them in half lengthwise, sew them to the cuts of the sleeves.






Cut out the facing for the front top cut. Fold in half lengthwise and, placing a cut between the halves, sew. Do the same for the back top cut. Turn up the bottom of the tunic and stitch.

At the waist, you can tie a thin braided cord or fasten a thin leather strap. Wear light summer sandals on your feet.

Take silver foil, for example food, fold it in half, then in half again and so on until you get a square with sides no more than 4 cm. Carefully cut off its corners and unfold. Sew the resulting chain mail to the base of light fabric or a piece of gauze. Put on the chain mail over the tunic.






Print and transfer the sword template onto cardboard. Cut and glue in several layers. You can paste over the sword with foil, and wrap the handle with a thin cord, gluing the tips.

Print and transfer the details of the helmet onto thick cardboard. Cut them out along the outline. If necessary, enlarge them in advance according to your size. In the middle part, bend the teeth down, grease them with glue and attach two sidewalls to them. Glue the visor on the front to the middle part, placing the teeth inside. Using a utility knife, carefully make a slit in the middle for the comb. Insert the teeth into the slot and glue them from the inside, bending it to the right, then to the left. Cut out four corners for rigidity and glue two on each side of the comb.

Paint the helmet with gouache with PVA glue.